Evangeline Duffy Armchair July 07th, 2018 - 00:19:29
From where I'm sitting, using it as a summer dining area seems unnecessary. Your summer dining area will be your garden or patio if you have the space, and if the weather is good enough, so why would you need what is effectively a tertiary dining area?
Some of the most comfortable furniture pieces are the ones that have been in your home for several generations. They exude a welcoming and lived-in ambiance to which people easily resonate. A rococo armchair in the living room may resemble the chair that your great grandmother sat on in the black and white photograph hanging on the wall of memories. This brings a vivid sense of nostalgia that compels you to look back to the past. Furniture pieces made long ago have a valuable history attached to them. Resting in an antique armchair that was passed down through several generations, you can let your imagination take you away to those earlier times and make connections with those who sat upon that very chair as the decades passed.
The armchair in the bedroom helps with a very 21st century issue - the quandary of laptop, tablet or phone use in bed while your partner is trying to sleep.
The notion of reconnecting with the past may spur us to find antique furniture pieces and welcome them in our homes, but this is not the only reason why we do so. Our taste for old glamour sends us back to adoring beautiful carvings and exquisite craftsmanship of traditional and classical designs. Nothing beats Victorian armchairs in magnificence and intricacy. They are luxurious to look at and even more luxurious to sink in to. The luscious velvet upholstery envelops your body like a warm embrace. Chippendale armchairs with their pagoda or gothic designed backrests attract the eyes with their complexity and fascinating fusion of style. Chinese yoke back armchairs have light and curvaceous silhouettes with smooth and rich solid wood that reminds you of another dynasty, another culture. Some of the most extravagant looking antique armchairs came from the Queen Anne period when they served royalty and nobles, now they provide a comforting piece of sitting and lounging furniture in a modified classical living room or a masculine and eclectic library.
A continuing trend in modern furniture design has been the sacrificing of comfort for economy and space. While agreeing that those huge Victorian armchairs were really luxurious, designers today would argue that they would be very much out of place in a modern house, as well as being inordinately expensive. So, designers concentrate on producing chairs which can easily be mass produced and which fit contemporary tastes. Unfortunately of course, the result of such thinking is that most chairs manufactured now tend to merely ornament a room without being very comfortable.
Now cut the slots in the side panels. There are two on each: one houses the back panel and the other houses the seat panel. Make the slot for the seat panel first. This slot, which is 16mm wide, runs at angle, from a point about halfway down the front edge, to a point 368mm from the front edge. To mark it in exactly, first draw a point on the front, short edge, 267mm from the top long edge. With a protractor set at 86° mark in the angle at which the seat panel meets the front edge of the side panel. Then use the two marked points to draw in a line extending 368mm from the front short edge of the side panel. This line marks the proposed location of the upper surface of the seat panel. To mark out the correct width of the slot, draw another point 16mm from that already marked on the front short edge of the side panel and, with the aid of a protractor, draw another line parallel to the first and 16mm from it.