Lilian Ware Armchair September 02nd, 2018 - 15:40:43
Some of the most comfortable furniture pieces are the ones that have been in your home for several generations. They exude a welcoming and lived-in ambiance to which people easily resonate. A rococo armchair in the living room may resemble the chair that your great grandmother sat on in the black and white photograph hanging on the wall of memories. This brings a vivid sense of nostalgia that compels you to look back to the past. Furniture pieces made long ago have a valuable history attached to them. Resting in an antique armchair that was passed down through several generations, you can let your imagination take you away to those earlier times and make connections with those who sat upon that very chair as the decades passed.
This chair has a very simple construction. It consists simply of four panels which slot together to give a stable assembly. Despite its simplicity, its lines are as stylish as any manufactured chair and will complement any living room.
We can be ever so rigid in our thinking at times. Armchairs and sofas go in the living room, don't they? That's where they've always gone. That's where we relax in front of the TV, open Christmas presents, and have lazy evening takeaways when we can't muster the energy to set up the dining room. It's where we entertain and relax.
If you trawl through the enormous array of different styles that the various manufacturers, you may notice that most armchairs seem to lack in originality. The problem with many designers is they seem to forget people have to sit in the chairs and it's the act of sitting that inspires the design of the chair... not the other way around. Furthermore, the armchair is designed to be sat in with comfort in mind: where backs, buttocks and arms should be supported ergonomically to take the pressure off the muscles across the shoulders and lower neck.
Now mark and cut out the slots which house the back panel. These are 165mm long, 13mm wide, and run at an angel of 82° to the top edges of the side panels. Use the methods detailed above to mark and cut them accurately.
As for the well-lit study suggestion, appealing though it sounds to work under the sun without contending with sudden winds, nothing renders a computer screen unreadable as quickly as sunlight shining directly onto it. Before you know it you've closed so many blinds to block out the sun you've taken away all of the benefits of the conservatory in the first place.
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