Lilian Ware Armchair August 12th, 2018 - 02:42:01
The notion of reconnecting with the past may spur us to find antique furniture pieces and welcome them in our homes, but this is not the only reason why we do so. Our taste for old glamour sends us back to adoring beautiful carvings and exquisite craftsmanship of traditional and classical designs. Nothing beats Victorian armchairs in magnificence and intricacy. They are luxurious to look at and even more luxurious to sink in to. The luscious velvet upholstery envelops your body like a warm embrace. Chippendale armchairs with their pagoda or gothic designed backrests attract the eyes with their complexity and fascinating fusion of style. Chinese yoke back armchairs have light and curvaceous silhouettes with smooth and rich solid wood that reminds you of another dynasty, another culture. Some of the most extravagant looking antique armchairs came from the Queen Anne period when they served royalty and nobles, now they provide a comforting piece of sitting and lounging furniture in a modified classical living room or a masculine and eclectic library.
It is possible to have cushions made up for you by professionals, but they are easy to make yourself from rubber and the covering of your choice.
Why restrict ourselves, though? There are a number of rooms that armchairs would easily fit into, and in fact, there are a number of use cases that are crying out for armchairs above all else. With handcrafted furniture companies (see below for an example), you have ample options to tailor an armchair to those specific environments. No need to worry about your armchair looking like it's been pulled straight out of the living room and is being held somewhere else temporarily.
Many of the armchairs don't do that and many have seats at the wrong angle. Making it completely uncomfortable to sit in. However, a few manufacturers seem to take comfort, style and size into consideration. And from these few, it's possible to choose some that are not only suitable sized armchairs for small spaces but ones that evince plenty of real style as well.
Now cut the slots in the side panels. There are two on each: one houses the back panel and the other houses the seat panel. Make the slot for the seat panel first. This slot, which is 16mm wide, runs at angle, from a point about halfway down the front edge, to a point 368mm from the front edge. To mark it in exactly, first draw a point on the front, short edge, 267mm from the top long edge. With a protractor set at 86° mark in the angle at which the seat panel meets the front edge of the side panel. Then use the two marked points to draw in a line extending 368mm from the front short edge of the side panel. This line marks the proposed location of the upper surface of the seat panel. To mark out the correct width of the slot, draw another point 16mm from that already marked on the front short edge of the side panel and, with the aid of a protractor, draw another line parallel to the first and 16mm from it.
Wood is used for the basic frame. Pine or some other softwood is suitable, but a satisfactory and cheaper alternative is 16mm plywood. As with most manufactured materials, there are different grades of plywood and you should choose a high quality type, such as Finnish birch, which takes a very good painted finish on both surfaces.
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