Evangeline Duffy Armchair September 05th, 2018 - 18:16:11
The notion of reconnecting with the past may spur us to find antique furniture pieces and welcome them in our homes, but this is not the only reason why we do so. Our taste for old glamour sends us back to adoring beautiful carvings and exquisite craftsmanship of traditional and classical designs. Nothing beats Victorian armchairs in magnificence and intricacy. They are luxurious to look at and even more luxurious to sink in to. The luscious velvet upholstery envelops your body like a warm embrace. Chippendale armchairs with their pagoda or gothic designed backrests attract the eyes with their complexity and fascinating fusion of style. Chinese yoke back armchairs have light and curvaceous silhouettes with smooth and rich solid wood that reminds you of another dynasty, another culture. Some of the most extravagant looking antique armchairs came from the Queen Anne period when they served royalty and nobles, now they provide a comforting piece of sitting and lounging furniture in a modified classical living room or a masculine and eclectic library.
Perhaps the greatest limitation on furniture design is the smallness of modern houses. To be comfortable, a chair must not only be well designed, constructed and padded, but also it must be fairly large. As few people can afford the space for a large suite of furniture, armchairs become increasingly smaller.
If you trawl through the enormous array of different styles that the various manufacturers, you may notice that most armchairs seem to lack in originality. The problem with many designers is they seem to forget people have to sit in the chairs and it's the act of sitting that inspires the design of the chair... not the other way around. Furthermore, the armchair is designed to be sat in with comfort in mind: where backs, buttocks and arms should be supported ergonomically to take the pressure off the muscles across the shoulders and lower neck.
The chair itself has to be in comparative proportion to your room you're placing it in. If you've got a large area, with heavy furniture, then a compact, thin-armed chair will appear delicate and out of place. If you've got a small room, then an armchair that's got thick arms and curved features will overpower all of your furniture. Either way, a room will appear and feel off-balance.
Now mark and cut out the slots which house the back panel. These are 165mm long, 13mm wide, and run at an angel of 82° to the top edges of the side panels. Use the methods detailed above to mark and cut them accurately.
A great rule of thumb is the fact that the bigger your space, the 'heavier' your armchair could be (and the other way round). A study covered with walls of book shelves and wood panels can accommodate a heavy, dominating chair. Look at armchairs for sale who have rich detailing and more classic design. For a more modern space, especially a smaller space, look for free standing legs and slimmer arm rests, and straight, clean lines.
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