Bette Wagner Armchair September 05th, 2018 - 07:36:01
The chair itself has to be in comparative proportion to your room you're placing it in. If you've got a large area, with heavy furniture, then a compact, thin-armed chair will appear delicate and out of place. If you've got a small room, then an armchair that's got thick arms and curved features will overpower all of your furniture. Either way, a room will appear and feel off-balance.
Now mark and cut out the slots which house the back panel. These are 165mm long, 13mm wide, and run at an angel of 82° to the top edges of the side panels. Use the methods detailed above to mark and cut them accurately.
A great rule of thumb is the fact that the bigger your space, the 'heavier' your armchair could be (and the other way round). A study covered with walls of book shelves and wood panels can accommodate a heavy, dominating chair. Look at armchairs for sale who have rich detailing and more classic design. For a more modern space, especially a smaller space, look for free standing legs and slimmer arm rests, and straight, clean lines.
First tale the two side panels and cut out the angled rear edge. To do this accurately, mark a line 25mm from the rear edge, then draw a line diagonally from opposite corners. Provided your two side panels match exactly in size, you can clamp them together and cut along the diagonal line to give a matching pair.
If you trawl through the enormous array of different styles that the various manufacturers, you may notice that most armchairs seem to lack in originality. The problem with many designers is they seem to forget people have to sit in the chairs and it's the act of sitting that inspires the design of the chair... not the other way around. Furthermore, the armchair is designed to be sat in with comfort in mind: where backs, buttocks and arms should be supported ergonomically to take the pressure off the muscles across the shoulders and lower neck.
A continuing trend in modern furniture design has been the sacrificing of comfort for economy and space. While agreeing that those huge Victorian armchairs were really luxurious, designers today would argue that they would be very much out of place in a modern house, as well as being inordinately expensive. So, designers concentrate on producing chairs which can easily be mass produced and which fit contemporary tastes. Unfortunately of course, the result of such thinking is that most chairs manufactured now tend to merely ornament a room without being very comfortable.
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